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Corpus Vitrearum USA

Devoted to scholarly analysis and investigation of Medieval and Renaissance stained glass

Six Heraldic Panels

SIX HERALDIC PANELSGermany
1629-1642
White glass, silver stain, and enamel
A. 27.9 x 21.0 (11 x 8 1/4); B. 24.8 x 20.3 (9 3/4 x 8); C. 24.8 x 20.3 (9 3/4 x 8); D. 24.8 x 20.3 (9 3/4 x 8); E. 25.8 x 21.3 (10 1/8 x 8 3/8); F. 24.8 x 21.0 (9 3/4 x 8 1/4)
Losses of enamel on all panels; surrounding borders modern

Provenance: George D. Pratt, Glen Cove, N.Y.
Bibliography: Unpublished

Collection: The Metropolitan Museum of Art and the Cloisters (New York, New York)
Object/Accession: 41.170.33, 37, 39-42 (European Sculpture and Decorative Arts)

A. Arms: Argent an oak branch fesswise couped, leaf ed, and fructed all proper (unidentified); crest: an oak leaf slipped between two acorn branches per saltire all proper; mantling or and argent (41.170.33) Inscription: HANS [… JEN / 1635; B. Arms: Or a log couped fesswise entwined with three hop flowers and as many leaves all proper (unidentified) (41.170.37); Inscription: 1629 / ANNA LUTTERLOHE; C. Arms: Argent on a mount vert a tree from a branch of which is hung a yoke and across whose trunk is placed an ax fesswise all proper (Turnow?) (41.170.39); Inscription: IOCHIM TURNOW / 1634; D. Arms: Argent a fess sable, in chief a rose gules seeded and barbed or, in base a merchant’s mark sable (Koch?); crest: a rose charged as the field between two buffalo’s horns, that on the dexter side or and argent and that on the sinister side argent and or; mantling argent, or, and gules (41.170.40); Inscription: JOHAN KOCH / 1635; E. Arms: Argent a merchant’s mark sable (unidentified) (41.170.41); Inscription: CORDT BALIEKE; F. Arms: Argent on a mount vert a wild man garlanded about his head and middle and holding in his dexter hand a tree trunk all proper (Damman?); crest : a cluster of holly leaves and berries proper; mantling gules and argent (4 r.170.42) Inscription: THOMAS DAMMAN / F.B. L. HAUPTMAN ZU LUNIK 1642.

Note: The Corpus Vitrearum USA is digitizing the content of its checklists. During the digitization process, words and terms may be transcribed incorrectly, particularly text that uses diacritical marks. We are working to verify and correct all information for each entry and to add marks where they may be missing or incorrect. If you have questions about a specific work in Checklist I, consult the PDF/printed version of the checklist.

Entry From: Checklist I Filed Under: New York, The Metropolitan Museum of Art and the Cloisters

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