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Corpus Vitrearum USA

Devoted to scholarly analysis and investigation of Medieval and Renaissance stained glass

Two Evangelists

TWO EVANGELISTSFrance, Flavigny-sur-Moselle, Priory church of Saint-Fermin, attributed to Valentin Bousch
1530-1535
Pot metal, white glass, silver stain, and sanguine
Diameter: 81.3 (32) (each)
Some paint losses in A; some minor replacements in B; mending leads in both

Provenance: Arnold Seligman, Rey and Co., New York
Bibliography: Abbe Guillaume “Notice sur le prieure de Flavigny-sur-Moselle et sur quelques personages qui l’ont illustre,Ó Memoires de la Societe d’archeologie lorraine 3rd s., no. 5 (1877), 223-328; Edmond des Robert, “Trois vitraux du prieure de Flavigny,” Bulletin de la Societe darcheologie lorraine (1907), 212-214, ill.; Durr Friedley, “A Renaissance Window,” Art in America l (1913), 136-140; Friedley, _Stained Glass from the Abbey of Flavigny,Ó Bulletin of the Metropolitan Museum of Art o.s. 12, no. 5 (May 1917), l12-116, ill.; Léon Germain de Maidy, “Sur les anciens vitraux de Flavigny, 11 Bulletin de la Societe d’archeologie lorraine (1927) 57-60, 73-78; Jean Lafond in Marcel Aubert et al., Le vitrail fram;;ais (Paris, 1958), 243-244; Victor Beyer, Jacques Choux, and Lucien Ledeur, Vitraux de France du Moyen-Age la Renaissance: Alsace, Lorraine, Franche-Comte (Colmar, 1970), 141-142; Choux, “Valentin Bausch a Saint-Nicolas-de-Port et a Flavigny,” Le pays lorrain 3 (1973), 157-170, ill.; Michel Herold, “Le vitrail en Lorraine a la fin du Moyen Age” (Ph.D. diss., Université de Nancy, 1983), 114_117; Herold, “Les vitraux anciens de Lorraine: Richesse et originalite in Le vitrail en Lorraine du XIIe au XXe siecle (Nancy, 1983), 63; Herold and Francis Roussel, “Catalogue: Vitraux deplaces, 11 in Le vitrail en Lorraine du XIIe au XXe siecle (Nancy, 1983), no. 185.

Collection: The Metropolitan Museum of Art and the Cloisters (New York, New York)
Object/Accession: 17-40.3 and 4 (European Sculpture and Decorative Arts)

Note: The Corpus Vitrearum USA is digitizing the content of its checklists. During the digitization process, words and terms may be transcribed incorrectly, particularly text that uses diacritical marks. We are working to verify and correct all information for each entry and to add marks where they may be missing or incorrect. If you have questions about a specific work in Checklist I, consult the PDF/printed version of the checklist.

Entry From: Checklist I Filed Under: New York, The Metropolitan Museum of Art and the Cloisters

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