France, Troyes, Cathedral of Saint-Pierre(?), Miracles of Christ window
1170-1l80
Pot metal glass
38.7 x 31.0 (15 1/4 x 12 3/16)
Surrounding glass is modern
Provenance: Julien Greau, Paris; George Bideaux, Paris; Joseph Brummer, New York; Guennol Collection (Alastair B. Martin) Glen Cove, N.Y.; Robin B. Martin, New York
Bibliography: “Reports of the Departments: Medieval Art, Loans Accepted,” The Metropolitan Museum of Art Bulletin n.s. 9, no. 1 (Summer 1950), 22; Louis Grodecki, Vitraux de France du Xie au XV!e siecle [ exh. cat., Musée des arts decora tifs[ (Paris, 1953), 53; Grodecki, “Problemes de la peinture en Champagne pendant la seconde moitie du douzieme siecle,” Studies in Western Art: 1. Romanesque and Gothic Art, Act s of the Twentieth International Congress of the History of Art, ed. Millard Meiss et al. (Princeton, 1963), 135, pl. 47:6; Carmen Gómez-Moreno, Medieval Art from Private Collections [exh. cat., The Cloisters, The Metropolitan Museum of Art] (New York, 1968), no. 179; MMAB (1971-1972), 120-121; Harry Bober, “Stained Glass from the Cathedral of Troyes” in The Guennol Collection, 2 vols., ed. I.E. Rubin (New York, 1975), 1:191-202; Grodecki with Catherine Brisac and Claudine Lautier, Le vitrail roman (Freiburg, Switzerland, 1977), 141, ill. 121, cat. no. 104; Charles Little, “Membra Disjecta: More Early Stained Glass from Troyes Cathedral,” Gesta 20, no. l (1981), 119 and 125, fig. 9.
Collection: The Metropolitan Museum of Art and the Cloisters (New York, New York)
Object/Accession: L49.22 (Loan No.) (Medieval Department)
Note: The Corpus Vitrearum USA is digitizing the content of its checklists. During the digitization process, words and terms may be transcribed incorrectly, particularly text that uses diacritical marks. We are working to verify and correct all information for each entry and to add marks where they may be missing or incorrect. If you have questions about a specific work in Checklist I, consult the PDF/printed version of the checklist.