In addition, the collection has a number of interesting study pieces, such as the youthful head of a male saint, French, fifteenth- or sixteenth? century (381/41), and two medallions that incorporate earlier ornamental fragments (398/58, 428/59). Also included are two seventeenth-century Swiss figural panels with an original core of glass augmented by stopgaps of the period: A scene of the Resurrection is combined with a donor and saints, and an inscription with the date 1628 (411/13); and Jacob’s Dream combined with an Annunciation (A 427 D), bought at Sotheby’s, New York, 25 November 1986, no. 178. There are three early seventeenth-century composite Swiss heraldic panels (414/74A, 436/74B, 452/75) and one from the later seventeenth century (392/52). Three composite heraldic medallions date from the late sixteenth and seventeenth centuries (A 335 B, 438/77, 342/88). There are also several eighteenth-century heraldic compositions (330/85, 334/86, 374/97, 382/99, and 676/169). The collection is continuing to grow, and at some time will warrant an addendum to the catalogue.; (Private Collection: Hillsborough, California)
Flagellation of Christ
France, Troyes, Cathedral of Saint-Pierre (?); c. 1220-1240 (Denver Art Museum: Denver, Colorado)
The Hanging of Judas
Alsace or Southern Germany; c. 1520 (The Art Institute: Chicago, Illinois)
Dormition and Assumption of the Virgin
France, Burgundy (?); c. 1520-1525 (The Art Institute: Chicago, Illinois)
Fragment in the Art Institute of Chicago
France, Loisy-en-Brie (Mame); Early 16th century (The Art Institute: Chicago, Illinois)
Border Section
England, Canterbury, Christ Church Cathedral, ambulatory or ‘triforium’ of the choir or Trinity Chapel; c. 1200 (Loyola University: Martin D’Arcy Gallery of Art: Chicago, Illinois)