Germany, Bavaria, Nuremberg (?)
c. l525
Pot metal, white glass, and silver stain
Diameter: 30.5 (12) (each)
Very good condition
Provenance: Eugen Felix, Leipzig; Ichenhauser Collection, New York
Bibliography: Hermann Schmitz, Die Glasgemiilde des koniglichen Kunstgewerbemuseums in Berlin, 2 vols. (Berlin, 1913), 1:160, ill. 267; John Rowlands, German Drawings from a Private Collection [exh. cat., British Museum] (London, 1984), no. 12 (related drawing).
Collection: The Metropolitan Museum of Art and the Cloisters (New York, New York)
Object/Accession: 11.93.10 and 11 (European Sculpture and Decorative Arts)
A. Ecce Homo (11.93.10); B. Deposition (11.93.11). The Ecco Homo is after a drawing by Sebald Beham, active in Nuremberg and Frankfurt l500-1550
Inscriptions: A. PONTIUS EGREDITUR SECUMO’ .UC!T IESUM _ECCE AIT AD TURBAS NOME SINE CRIMINE JUSTUM; B. O DOLOR O LUCTISNAMQ’ MEO PIGNUS VIDEO MORTE PEREMPTU QUANTU MEA CORDA LATESSIS
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