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Corpus Vitrearum USA

Devoted to scholarly analysis and investigation of Medieval and Renaissance stained glass

Madonna of the Apocalypse

Madonna of the ApocalypseGermany, Cologne, Augustinian Canon’s Church of Corpus Christi, Gnadenstuhl window
1430-1435
Pot metal, white glass and silver stain
158.0 x 61.0 (62 1/8 x 24)
Very few replacements

Provenance: Sir William Jerningham, Costessey Hall, Norfolk, England; Grosvenor Thomas, London; George D. Pratt, Glen Cove, N.Y.
Bibliography: Aymer Wallace, “The Costessey Collection of Glass,” Burlington Magazine 35 (1919), 26, pl. 1b; Thomas and Drake (1920), no. 57; Herbert Rode, “Das Gnadenstuhlfenster im Kölner Dom,” Kölner Domblatt 18-19 (1960), 107-120; Rode, “Ein Glasbild vom Meister des Marinelebens,” in Studien aus Kunst und Geschichte für Otto H. Forster (Cologne, 1960), 216-217; Jane Hayward, “Stained Glass Windows from the Carmelite Church at Boppard-am-Rhine,” Metropolitan Museum Journal 2 (1961), 106-112, fig. 39; MMAB (1971-1972), 127; Rode, Die mittelalterlichen Glasmälereien des Kein er Dom [Corpus Vitrearum Medii Aevi: Germany IV, pt. 1] (Berlin, 1974), 18 and 172, ill. 48.; Vor Stefan Lochner die Kölner Maler van 1300 bis 1430 [exh. cat., Wallraf Richards Museum] (Cologne, 1974), no. 68, ill.; Rode, “Coloquium sur kölner Glasmälerei auf der Ausstellung Stefan Lochner,” in Ergebrisse der Ausstellung und des Coloquiums (Cologne, 1974), 98-102; Brigitte Lyman, Die Glasmälereien des Schnütgen-Museums: Bestandkatalog (Cologne, 1982), 85-86, ill. 50a.

Collection: The Metropolitan Museum of Art and the Cloisters (New York, New York)
Object: 41.170.93a and b (Medieval Department)
Image Credit: The Metropolitan Museum of Art, Bequest of George D. Pratt, 1935

Entry From: Checklist I Filed Under: New York, The Metropolitan Museum of Art and the Cloisters

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